3eidkom Mbarak! 🙂
Since today was the first day of Eid, it was also the last day of Ramadan TV shows; most of them aired their finales today. I’ve only been keeping up with two shows, the rest were too dramatic for my liking. It seems like every year, there’s a certain theme that all the directors and writers agree on. Last year it was how men are unfaithful cheaters, the year before it was domestic abuse, and there was that one year where homosexuality and AIDs were pretty popular on TV (of course, Shujoon was the carrier), etc… This year, though, it’s ‘the evil mother’: the mother who won’t let her son marry the girl he loves because of the difference in social status, the divorced mother who won’t allow her children to see their father, and so on. There’s also the middle-aged woman having a midlife crisis by getting involved in a relationship with a man 20 years younger than her (Al-Malika), but that’s another story altogether.
The one show I’ve been consistently keeping up with is Banat Al Thanawiya, and that’s because I’ve read the book before by Mohammed Al Nashmi. The book is sold at Virgin Megastore in Marina Mall, but from what I’ve heard it’s not allowed in public schools; students are punished if a teacher finds a copy of this book with them. I wasn’t all that impressed with the story, I found the plot to be rushed and uninteresting, because the events were very cliche. The main characters, Mohamed and Samar, fell in love way too quickly — in both the book and the series, which were drastically different from one another. In the book, Mohamed holds Samar’s hand the very first moment he meets her. I can see why Kuwaiti channels banned the series, I suppose, but the writer has stated that most of his story’s plot was twisted to suit society’s views. Censorship committees probably considered the book to be breaching certain traditional values, and thought it would spark too much controversy.
The novel’s story is as follows: Mohamed and Samar meet at a shady ‘gathering’, a double-date of sorts. The moment Mohamed meets Samar, he takes her hand, and she moves away — because she didn’t expect the ‘relationship’ to begin so quickly. Of course, it is conveyed that Mohamed and his buddy do not have ‘pure’ intentions, and that’s proven when Mohamed holds the hand of a perfect stranger the moment he meets her, and scolds her when she moves away. The relationship escalates, and they find themselves falling in love with each other, surprising themselves — they expected it to be nothing more than a fling. Strangely enough, they don’t know each others’ full names; they are on a first name basis for months. They grow physically intimate, and the writer describes these scenes in his book. The couple even rent an apartment on Valentine’s Day for one night. Of course, that would explain why the story was changed; according to Middle-Eastern traditions, physical intimacy before getting married is inappropriate. Samar also takes up smoking, which she picks up from her ‘bad girl friends’ — but this wasn’t shown in the series.
As their relationship develops, Samar starts fantasizing about what it would be like to have children with Mohamed, but doesn’t say so out loud. To her great joy, Mohamed is having the same thoughts; he throws hints at her numerous times, how he’s relying on her to help their son with his homework. At this point, they still aren’t aware of each others’ last names…until one day, Mohamed takes her out for ice-cream at a local ice-cream store. She waits in his car as he goes down to the store to get their ice-cream, and as she’s waiting, curiosity gets the best of her when she sees his civil ID on the floor. She picks it up, and when she reads his last name, it changes everything. She goes home and cries later that night, not telling him what she has just found out.
She finds out that Mohamed comes from a Shiie family, while she comes from a Sunni family. It breaks her heart because she knows they will not be able to marry each other in the future, as the union of Shiia and Sunna in marriage is usually very difficult to convince both families to accept. She can’t hold it in for more than a few nights, and she does end up telling him. He hangs up on her, but only because he’s angry she went through his things rather than just asking him. After they kiss and make up, they sit down and discuss their future plans. Mohamed tells her he plans on speaking to his mother and seeing what she thinks. So he does, and his mother tells him she has no problem with it, and would like to speak to Samar’s mother. Samar’s mother, on the other hand, expresses undeniable rejection of giving away her daughter to a non-Sunni. When the mothers speak, Samar’s mother tells Mohamed’s mother that she would not have a problem with their marriage, as long as Mohamed would ‘convert’. Mohamed and his mother are both open to the idea, but his father strongly opposes it, along with all of his uncles. Long story cut short, he goes against his father and his uncles, and he converts. Mohamed and Samar marry each other, both as Sunna.
On their wedding night, they stay at a hotel. As they are settling in, Mohamed gets a call from his mother and his sisters, saying his father won’t let them in the house until he has seen Mohamed (to basically yell at him and tell him what disgrace he has brought on their family). Mohamed apologizes profusely to Samar, tells her he won’t take more than an hour and he’ll be back. Samar is understanding, tells him it’s fine, she’ll wait for him. He drives over to his house, deals with his father, and gets his mother and sisters in the house. As he’s leaving, he calls Samar, tells her he handled everything, and is on his way to get some knafa for them to have for dinner. An hour later, he still hasn’t returned. Samar calls him, and he doesn’t pick up. She spends the entire night calling him, and his phone is off the whole time. When the morning came, Samar still hadn’t slept, and she hears a knock on the door. Her mother and sisters are there, and they tell her Mohamed died in a car accident. Samar laughs, tells her mother, “No, he’s on his way back, he’s just bringing us some knafa.” Personally I think the knafa was an a w f u l touch. It made the death scene turn into a comedic moment rather than a sad one! Granted, most of these writers absolutely suck at properly creating grievous scenes, but knafa just ruins the whole thing! I was actually telling a friend of mine the book’s story the other day, and he laughed his heart out. Knafa and death should never, ever be on the same page!
I didn’t find the show’s ending to be realistic whatsoever. I understand that they were attempting a ‘happy ending’ sort of deal, but if the happy ending isn’t realistic, kill the main character and get it over with. Mohamed’s mother suddenly turning into a saint and hugging the girl she once referred to as a low-class trashy peasant just doesn’t register in my head. Whatever floats the audience’s boat, I guess…